Showing posts with label interviu. Show all posts
Showing posts with label interviu. Show all posts

Friday, 9 December 2011

" Istoricitatea lui Isus " | interviu cu Darrel Bock


Ruben Ologeanu: Dr. Darrel Bock cum puteţi aborda o persoană sceptică în ceea ce priveşte veridicitatea documentelor Noului Testament?

Darrel Bock: Ei bine, veridicitatea textelor, în sensul înţelegerii faptului că textul care a fost scris, este textul pe care îl avem astăzi, este să putem să vorbim prin intermediul evidenţelor din manuscrisele pe care le avem. Avem atâtea manuscrise ale Scripturii, care arată ce înseamnă cuvintele din cadrul lor, încât sunt foarte sigure în ceea ce priveşte conţinutul lor, asta a fost ceea ce s-a scris. Însă veridicitatea nu se referă doar la a şti că ceea ce s-a scris atunci este ceea ce avem noi astăzi, şi asta pentru că veridicitatea are de a face şi cu conţinutul, ceea ce se află în documente. Aceasta este o discuţie total diferită şi cel mai bun mod de a o avea este să arăţi în ce fel ceea ce a spus şi a făcut Isus se relaţionează contextului în care a trăit în primul secol. În unele cazuri poţi vorbi despre (cel puţin în termenii existenţei) documente care au fost scrise de către istorici necreştini ce fac referire la Isus Hristos. Aceştia au afirmat că a existat, că a fost crucificat în timpul lui Pilat, că a fost crucificat pentru că liderii evrei au lucrat cu Pilat în scopul acelei crucificări. Josephus, un istoric evreu din primul secol, este unul dintre cei care afirmă astfel lucruri. Creştinismul şi mişcarea creştină au venit din timpul şi lucrarea lui.

Cel puţin, astfel de aspecte pot fi dovedite fără ca măcar să deschizi cărţile Bibliei, şi acesta formează cadrul pentru restul discuţiei. Mare parte a problemelor pe care oamenii le au cu privire la veridicitatea Scripturii trebuie să aibă de a face cu întrebarea dacă Dumnezeu poate face sau nu miracole. Acesta e un lucru care nu poate fi dovedit. Nu pot lua un reportofon sau o cameră de luat vederi, să mă duc înapoi în acele timpuri antice şi să caut acel material care să dovedească asta. Trebuie să fii deschis pentru a accepta ceea ce spune Scriptura despre Isus. Totuşi, poţi atrage atenţia asupra faptului că oameni precum Pavel, care nu a crezut, trăind în perioada aceea, s-a convins că Isus a făcut lucrurile cu care era asociat numele Său. Acesta e cel mai bun lucru pe care îl poţi face, să scoţi în evidenţă că au existat atunci oameni care la început nu au crezut, dar au devenit credincioşi, oameni care erau prezenţi sau participau la o scenă şi care au înţeles că Isus era cel care pretindea că este.

Ruben O: Există dovezi exterioare care să susţină istoricitatea lui Isus?

Darrel B: Da, dovezile exterioare pe care le avem, în afara Bibliei, sunt câţiva istorici pe care i-am citit. Josephus, istoricul evreu din primul secol. Opera sa, Antichităţi iudaice, volumul 18.63 şi 64, conţine un paragraf scurt care descrie cine este Isus. Istoricii recunosc că în urma analizei modului de exprimare din manuscrisele pe care le avem, nu tot ce scrie datează din timpul lui Josephus, întrucât textul spune că El era Mesia, ori Josephus nu credea în Isus. Totuşi, sunt anumite lucruri pe care acesta le-a spus şi despre care mulţi cărturari sunt convinşi că Josephus le-a scris, şi anume că Isus a făcut lucruri neobişnuite, că a fost crucificat sub domnia lui Pilat prin instigarea unor anumiţi lideri evrei, iar creştinismul şi mişcarea creştină au apărut în timpul slujirii sale. De asemenea, alţi doi istorici evrei, de la începutul celui de-al doilea secol, fac referire la Isus, la viaţa şi slujirea Sa. Unul dintre aceştia menţionează execuţia din timpul lui Pilat.
Aşadar, dacă nu am fi avut Biblia, tot am fi ştiut că Isus ar fi existat ca şi personaj istoric, însă poate nu am fi ştiut prea mult despre învăţăturile Sale.

Ruben O: A fost Isus un reformator teologic al timpului Său?

Darrel B: Cred că mai corect ar fi să spunem că a fost un reformator teologic în sensul că a aranjat lucrurile din Vechiul Testament într-un mod în care oamenii nu l-au făcut până atunci şi a arătat cum anumite lucruri s-au concretizat în lucrarea pe care El a avut-o de făcut. Printre iudei existau diverse păreri şi aşteptări despre cum va fi vremea sfârşitului, cum va fi Salvarea, cum va arăta Mesia, şi, în cele mai multe cazuri , acestea se încadrau în mai multe imagini diferite. Avem imaginea robului suferind, cel care suferă din cauza oamenilor, avem imaginea unui Mesia care este un lider puternic, avem un Mesia care este Fiul Omului, o figură transcedentală ce apare la sfârşit ca să aducă eliberare. În Iudea exista probabil tendinţa ca aceste profile să fie concepute diferit, nu puteau fi asociate. Însă Isus Hristos este cel care a pus toate acestea împreună, într-o singură persoană, în El Însuşi. Iată o inovaţie în gândirea iudaică, deoarece ei obişnuiau să ţină aceste categorii separat. Un al doilea sens prin care Isus a fost considerat, într-un fel, un refomator teologic, a fost că a accentuat adevăratul scop al legii. El scoate în evidenţă faptul că nu este de-ajuns doar să luăm în considerare ce spune legea, „Să nu ucizi”, ci trebuie să descoperim şi ce conduce la crimă, şi anume, MÂNIA. Astfel, El aprofundează principiile legii, pentru a descoperi motivaţia interioară, fără a spune doar: „Oare am încălcat, sau nu, legea?” Printr-o astfel de abordare El caută o neprihănire care era mai măreaţă decât o citire superficială a legii. Asta a fost o altă reformă majoră pe care El a făcut-o.Ruben O.: O altă întrebare ar fi legată de cărturarul şi istoricul Bart Ehrman, bine cunoscut printre criticii contemporani ai Noului Testament, are el dreptate când spune că textele Noului Testament au fost redactate cu mult timp după ce evenimentele au avut loc?

Darrel B: Poate să aibă dreptate, dar în sensul distanţei. Eu tind să datez textele manuscriselor Noului Testament cu vreo 15-20 de ani mai devreme decât o face el, mai ales Evangheliile. Tind să datez, cel puțin trei dintre Evanghelii: MateiMarcu şi Luca, înainte de anul 60 AD, iar Evanghelia după Ioan, în anul 90 AD.

Cred că el datează Evanghelia după Matei şi cea după Luca puţin mai târziu, aproximativ prin anii 80 – 90 AD, iar Evanghelia după Marcu la sfârşitul anului 60-începutul anului 70, pe când eu aş spune că a fost realizat cu 10 ani înainte. Dar, să presupunem că are dreptate, că aceasta a fost scrisă mai târziu, dată în sine la care a fost scrisă Evanghelia nu afectează cu nimic veridicitatea materialului scris. Ceea ce determină veridicitatea materialului este calitatea tradiţiei care a fost înregistrată în el, iar asta nu are de a face cu data la care a fost scris. Astfel, dacă o scriere a fost realizată mai târziu, acest lucru nu diminuează neapărat veridicitatea acesteia. Asta e o greşeală pe care unii oameni o fac atunci când se gândesc că, dacă un text este scris mai târziu, atunci timpul va schimba mesajul sau va altera textul original, sau pot apărea născociri pe parcurs. Există oameni care cred că Noul Testament conţine şi povestiri inventate, însă eu nu cred asta. De fapt, calitatea tradiţiei este destul de bună, există o conexiune a tradiţiei apostolice care se potriveşte contextului. Acest lucru vorbeşte despre calitatea materialului nu despre data la care Evangheliile au fost scrise. Motivul pentru care Evangheliile au fost scrise atât de târziu este pentru că, atâta timp cât a răsunat vocea oamenilor care l-au văzut pe Isus, acest lucru a avut mai mult impact decât să se fi scris pe o bucată de hârtie. În lumea antică, vocea orală, vocea vie a unui martor, era mult mai preţuită decât o mărturie scrisă. Acest lucru este neobişnuit pentru perioada noastră. Astfel, în momentul în care apostolii au început să moară, au scris pe papirusuri ceea ce credeau şi îi învăţau pe alţii. Prin urmare, Marcu este asociat în mod tradiţional cu Petru, Luca este în mod tradiţional asociat cu Pavel, apoi îi avem pe Matei şi Ioan, care au rădăcini apostolice.

Ruben O: Citând un autor binecunoscut care a făcut vâlvă acum câțiva ani, vreau să vă întreb dacă istoria este scrisă de către învingători?

Darrel B: Istoria este adesea scrisă de cei învingători în sensul că, atunci când cineva câştigă o confruntare istorică antică, documentele şi reproducerea istorică a acestuia sunt cele care rămân înregistrate. Una dintre problemele pe care le avem cu istoria antică este că deţinem doar părţi ale materialului în care s-au consemnat evenimentele care au avut loc la timpul respectiv, multe dintre ele fiind pierdute. În unele cazuri, documentele altora au fost omise în a fi luate în considerare, pentru că cele învingătoare le-au înlăturat.

Cauza pentru care această expresie este populară în discuţiile teologice este aceea că, uneori, se afirmă faptul că motivul pentru care avem aceeaşi expunere a istoriei antice ca şi cea a bisericii este acela potrivit căruia înregistrările învingătorilor teologici au fost păstrate, în timp ce vocile celor care au vorbit şi care au avut o teologie puţin diferită au fost pierdute. Există o fărâmă de adevăr în această afirmaţie. Atunci când biserica a ajuns să-şi adopte doctrina , deseori a cerut ca scrierile oponenţilor să fie arse şi să sfârşească cu acele lucruri. Am găsit acele scrieri. Acum ştim ce presupun celelalte teologii, şi cel mai important lucru – ceva ce majoritatea nu ştiu – este faptul că atunci când am găsit aceste scrieri recent, în anii ’40 în Egipt, unde multe din aceste Evanghelii apocrife au fost găsite, când am început să citim istorisirile care erau scrise în acele documente, ne-am dat seama că părinţii bisericii, care au scris despre ele în secolul 2, de fapt, ne-au spus cu acurateţe acele istorisiri, cel puţin în cazul lui Irineu. Aşadar, ceea ce pare o scriere descoperită, nouă, a unui învins, a fost, de fapt, înregistrată de câştigător în procesul încercării de a dezbate ceea ce credea.

Astfel, este posibil ca istoria să fie scrisă de către învingători, dar, în unele cazuri, învingătorii merită să câştige , deoarece sursa a ceea ce au afirmat are o mai bună descendenţă, care se întoarce la mişcarea autentică, decât scrierile unora a căror teologie a fost respinsă.
Ruben O: Aţi menţionat mai devreme despre scrierile apocrife. Ce rol au acestea în istoria bisericii şi în istoria dezvoltării doctrinelor?

Darrel B: Valoarea Evangheliilor apocrife nu stă în faptul că ele sunt adevărate din punct de vedere teologic sau că sunt precise, ci stă în faptul că ele ne oferă o fereastră spre ceea ce unii oameni care foloseau simbolismul creştin, în special în secolul doi şi trei, credeau despre Isus şi modul în care convingerile lor erau diferite de ceea ce am ajuns să vedem în biserică. Este folositor să poţi auzi întreaga conversaţie dintr-o perspectivă istorică, şi chiar teologică, pentru că nu auzi doar vocea celor care critică aceste lucrări , ci ajungi să cunoşti propriu-zis aceste lucrări şi modul în care construiesc argumentarea pentru ceea ce prezintă şi cred. Acest lucru este util pentru a aprecia istoria bisericii şi cum s-a dezvoltat aceasta.

Ruben O: Într-un fel, ele ne ajută să vedem imaginea în ansamblu a acelei perioade.

Darrel B: Exact!

Ruben O: O ultimă întrebare. Personală de data aceasta: care sunt celelalte proiecte în care sunteţi implicat?
Darrel B: Momentan lucrez la o carte binecunoscută despre istoricitatea lui Isus, care rezumă în 200 de pagini un proiect de 800 de pagini a mai multor cărturari cărora le-a luat cam un deceniu să îl termine. Partea tehnică a fost publicată în Germania, sub formă de serie, iar acum este publicată şi în S.U.A. Versiunea aceasta nouă va fi şi ea publicată în America, aşa că lucrez la ea. Lucrez la o teologie biblică a Faptelor Apostolilor scrisă de Luca. Tocmai am terminat nişte însemnări pentru un studiu biblic tot pentru Faptele Apostolilor şi o carte scurtă despre dragoste şi creştinismul timpuriu pentru o editură. Aşadar, acestea sunt proiectele la care lucrez.

Vă mulțumesc!

Traducere Cristina Bucurâ
Autor: Ruben Ologeanu 
Sursa: Revista Creştinul Azi
stiricrestine.ro

Sunday, 4 December 2011

Interviu Grupul Continental



Pentru inceput va rugam sa ne spuneti cat mai multe despre voi. ce vreti voi sa afle si lumea…
GrupContinental:Grupul Continental a luat nastere in Romania in anul 1998, de atunci aproximativ 700 de tineri si copii au fost implicati in cele peste 40 de turnee pe care le-am organizat. In 2009 am avut deja 6 turnee si ne mai stau in fata inca doua. Proiectele noastre sunt pentru oricine are inima si putin talent musical.
Cum şi când a avut loc înfiinţarea grupului?
 GrupContinental: In anii ’60, Cam Floria, un tanar american, a avut viziunea si dorinta de a infiinta un grup care sa strabata America si sa duca Vestea Buna a Evangheliei prin cantec, oricarui om care vrea sa asculte. Dupa un an, Leen LaReviere, un alt tanar olandez, uimit de impactul acestui grup, a decis sa lupte pentru infiintarea unei organizatii in Europa, care sa dezvolte aceeasi strategie a raspandirii Evangheliei. De atunci, numai in Europa s-au infiintat cateva organizatii Continental (Olanda, Italia, Slovacia, Ungaria, Romania), care au ca scop evanghelizarea spatiului in care se vorbeste limba lor.
 Cine compune cantarile pe care le cantati?
 GrupContinental: Piesele sunt compuse de Continental dar si de marii artisti crestini, cumparate cu toate drepturile si adaptate genului muzical pe care il abordam. As aminti faptul ca in Continentalul timpuriu din Statele Unite au activat si s-au format nume consacrete ale muzicii crestine contemporane ca: Michael W. Smith, Sandy Patty, Waine Watson, Steven Curtis Chapman si multi altii, care azi furnizeaza piese de calitate grupurilor Continental din intreaga lume.
  Ce muzica va place sa ascultati. De ce? Aveti o trupa/artist preferat/melodie preferata?
 GrupContinental: Un raspuns la o astfel de intrebare ar fi foarte subiectiv in cazul nostru, avand in vedere numarul mare de colaboratori pe care ii avem in fiecare an.
Daca ati putea sa alegeti o colaborare cu orice artist, care ar fi acela?
 GrupContinental: Deja am colaborat cu multi artisti sau formatii crestine din Romania, lucru care ne bucura mult. Ascultand albumele noastre veti auzi voci ca si  ale lui Catalin si Ramona Lup, Marius Falcusan si Dia Lup din formatia Laud, Shema, Marius Moldoveanu din Shalom etc.
 Ce hobby-uri aveti, in afara de muzica?
 GrupContinental: Multe si diverse. Ce cred ca avem totusi in comun este bucuria de a calatori.
 Ce parere aveti despre situatia actuala a muzicii crestine din Romania?
 GrupContinental: Incet, incet, caliatetea muzicala creste si asta e un lucru bun. Avem insa probleme la capitolele text si atitudine. Adica ne-am dori mai mult ca inchinarea sa fie si inteleapta si adevarata. Muzica crestina nu este cea care foloseste un text crestin, ci a carei desfasurare genereaza un act de inchinare in Duh si Adevar, dar si raspunde nevoilor de inchinare ale congregatiei, nu starneste doar emotii. Prin aceasta afirmatie nu desconsideram pe nimeni. Ne lovim de aceleasi probleme pe care incercam sa le reparam si sa dezvoltam adevaratele calitati ale inchinarii.
 Ce a decurs turneele din aceasta vara din Oltenia si Ucraina?
 GrupContinental: Anul acestea, am avut doua turnee in acelasi timp. Ne-am intalnit 50 de tineri, am studiat impreuna timp de o saptamana 8-10 ore zilnic iar apoi ne-am despartit ca sa acoperim cele doua zone in care lucram de ceva timp. Experientele au fost multe si frumoase, intamplari neprevazute la tot pasul, dar nimic nu se compara cu ceea ce a lucrat Domnul in vietile noastre in acest timp pe care am vrut sa-l folosim intr-un mod util. Am vazut oameni transformati, tineri plangand, atinsi fiind de Cuvantul lui Dumnezeu. Asta ne da imboldul sa mergem mai departe.
  Va multumesc pentru timpul acordat si va doresc tot ce faceti sa duceti la bun sfarsit
crestintotal.ro

Saturday, 22 October 2011

Natalie Grant gmc Interview

Making her acting debut in gmc’s World Premiere movie, Decision, Dove Award winning Natalie Grant stayed true to her ‘take every opportunity and run with it’ philiosophy. That drive, that spirit, permeates everything she does.

There is no doubt that Natalie Grant is now one of the most recognizable names in Christian music, a fact reflected in her 4 Dove Awards for Female Vocalist of the Year. In addition to working hard on her illustrious music career, Natalie has founded and chairs Abolition International, a foundation dedicated to the eradication of sex trafficking and exploitation of women and children. Now the 12-year music industry veteran is taking on yet another role: lead actor in a motion picture. Natalie makes her acting debut in the gmc World Premiere Movie Decision, a touching and dramatic movie dealing with family, loss, love and faith, premiering October 16th on gmc. 

Watchgmctv.com recently chatted with Natalie Grant to get the scoop on Decision, which also stars Grammy Award winning Country artist Billy Dean. She shared with us why she chose to take the role, what she hopes viewers take away from the movie, and what she’s learned about herself in the process.

watchgmctv.comDecision is your acting debut and a lead role at that. What was the experience like for you, and how it was different than your role as an artist?

Natalie Grant: Well, it was definitely challenging because I filmed while I was 8 1/2 months pregnant! But there are many ways that it is different from being an artist and some ways where it was similar. Different because in my music artistry I'm constantly trying to be real, transparent, honest. But in the film, it was all about putting myself in someone else's shoes. I found the experience similar to my artistry in that there are elements of performing in both.

watchgmctv.com: What led you to want to be a part of this film and role?

Natalie Grant: You know, I wanted to be part of something that is providing faith-based entertainment that families could watch together. I remember how on Saturday nights, there were re-runs of Lawrence Welk. My mom would make popcorn and my entire family—all five of us kids and my parents—would sit down and watch it together. There’s not a lot of opportunity to do that now, not a lot of programming out there that has something for everyone, so I wanted to be part of creating something like that.

Truthfully, I was drawn to it initially because I knew acting is something I had never done before and I was up for a new challenge. But then I read the script and I loved the positive message it conveys, and I also felt as though I could empathize with my character.

watchgmctv.com: How did the opportunity present itself?

Natalie Grant: Acting was certainly not on my bucket list. I never took a drama class, nor studied acting in any way. I never even considered it, but when the producers called and told my manager that they’d written the role with me in mind, I was flattered. And I thought, ‘Why not?’ I’ve always been a ‘take every opportunity and run with it’ kind of person. I didn’t want to wake up one day and say ‘Why didn’t I try that?’

Still, the first day of filming, I thought, ‘What were you thinking?!’ Of course, they made it as easy for me as possible. I was very pregnant, packing an extra 40 lbs, so they filmed it in Kingston Springs, close to home. It was a great experience.

watchgmctv.com: Ilene, your character, plays a single mom after a tragic event with her husband—played by Billy Dean—how did you draw inspiration for your character?

Natalie Grant: My oldest sister is a single mom. I have seen the challenges and incredible hard work it takes to do it well. But also as a wife and mother myself, I was constantly trying to put myself in Ilene's shoes, trying to imagine what it would be like to lose my husband and raise my kids alone.

watchgmctv.com: What do you hope the gmc viewer takes away from the movie?

Natalie Grant: Hope. There is hope in the darkest of situations. And sometimes God will use the most unlikely characters to lift us up and help us experience that Hope.

watchgmctv.com: Did you learn anything about yourself in the process of filming Decision?

Natalie Grant: Never film a movie while 8 1/2 months pregnant! Haha. Seriously, I'm so grateful for my faith, but also my husband and incredible extended family who love me well. A movie like this makes you so thankful for the people God has put in your life to love.

watchgmctv.com: Would you have any words of encouragement for single parents out there that you gleaned from this story?

Natalie Grant: You cannot and should not do it alone. You must draw strength from your faith. Lean on God, who will never leave you or forsake you. And don't be afraid to ask for help from family and friends.

watchgmctv.com: Anything fun or interesting that you remember from filming or working with the cast?

Natalie Grant: When I first was told about the movie, I got excited about wardrobe. I thought, "I wonder if I'll get to wear any fabulous outfits?" I'd say 75% of filming I was wearing pajamas. and they weren't even cute pajamas! I'm such a girl....[laughs]

watchgmctv.com: Would you take another movie or acting role?

Natalie Grant: I'd love to.

watchgmctv.com: What’s next on the music front?

Natalie Grant: Just finished The Story... my single from that, “Alive,” went to radio last week. On this project, every artist takes on a character. I loved that approach. My song is the song of Mary Magdelene. It’s really more of a Broadway thing. It could be a full on production, it’s so good. This Christmas, we’ll go on tour with it—Max Lucado, SCC, Newsboys, Francesca Battestelli, Selah. We will perform it from start to finish, 14 or 15 dates... We hope it becomes what The Young Messiah once was. http://www.thestory.com/tour

watchgmctv.com: What’s the latest on The Home Foundation?

Natalie Grant: We went through a rebranding this year. Now called Abolition International. We partner with other organizations and people to help them raise funds to build shelters for girls saved from child-slavery. Right now, we have several shelters worldwide that we’re a part of: shelters in Greece, Moldolva, Dubai... but we’re really focused on building shelters domestically because there are so many victims here and there’s really no place for them.

I met a young girl in Sacremento, a Christian girl who went went to Jamba Juice, met a boy, went to a party with him, and three weeks later was for sale on Craigslist. When she was finally found, she was put in juvenile detention and treated as if she was a criminal. The system here just doesn’t have a place for these girls. And there’s so much red tape to go through to open a shelter here.

But now, we’re real close to opening shelters in Columbus, Ohio, in Sacramento, Atlanta, Detroit, Phoenix... several cities in the beginning stages of building. It’s just amazing what God is doing.

watchgmctv.com: So other than your family, and beyond the music, this really is your legacy, right?

Natalie Grant: The music thing gives me a greater platform for a message like this. Ultimately, this is the important stuff, empowering the average suburban Christian person to live their lives for something greater than themselves, equipping people to get involved in the lives of others. It’s very rewarding.



watchgmctv.com

Thursday, 11 August 2011

Switchfoot Interview


Bassist Tim Foreman talks about the ups-and-downs of life that inspired their upcoming album, Vice Verses.
Boldness and doubt. Purpose and apathy. Settlement and wandering. The themes scattered throughout Switchfoot's eighth studio album, Vice Verses tackles the juxtapositions of life – the quandaries and roller coasters that shape the human experience.

 Whereas Hello Hurricane identified the conflicts of life, Vice Verses is a call to overcome, and to embrace the tension. Switchfoot bassist Tim Foreman says tension isn't a problem to be solved; it's a story to be lived out – a story that ultimately, leads to redemption.

 The 12-song album is a window into the questions, conflicts and victories experienced by the seminal rock band, taking people through themes of inspiration, destiny, internal conflict, the search for purpose and identity, meaninglessness, the brevity of life, and the hope of eternity.

 Foreman spoke with NRT Senior Editor Marcus Hathcock before their set at Creation Festival Northwest.

First of all, congratulations on Vice Verses. It's a really special album. Well done.

 Thank you so much.

I was looking at all the themes of each song on the record; it's so back and forth, up and down – even musically so. Talk about the theme of tension. 

 With this record, we're really dealing with the polarity of life – the light and dark, life and death. The concept of Vice Verses is the idea of rebirth through pain and struggle. And you know, I think that's something we all face in life. We go through these storms, these hurricanes, and yet there's fruit that comes from that. And there's pain... and trying to grapple with the messiness of it all.

It seems to me that really, the conclusion of the album, “Where I Belong,” seems to be surrender. Basically, instead of providing an answer to the tension, are you surrendering?

 I think that's definitely in there. For me, Vice Verses is all about finding home, and “Where I Belong” obviously is part of a story. You've got “Restless” – the halfway point of the record – talking about raindrops all on this relentless course, this relentless pursuit for the ocean. That is the way we live; we're running. Sometimes we don't know where. We're relentlessly pursuing this destination called home. If you go back to “Afterlife,” the first chapter, there's a completely different approach to looking for home: I'm not waiting for the afterlife. I'm ready now, in this life, right now, where I am. The record really wrestles with that concept of home from many different angles.



Talking about “Afterlife,” what sort of attitude are you speaking to?

 I think that song speaks to everyone, you know? Certainly, if you look within the walls of the Church, there's definitely a prevalent mindset of holding on to this ticket to Heaven. I think that's lazy, but I think we're all guilty of it. It's grappling with that, it's grappling with complacency in general. We have so many distractions, so many excuses for not thinking about existence in the larger sense.

Not only is there a story within this album, but really it continues a story that you started with Hello Hurricane, doesn't it?

 I really felt that Hello Hurricane was kind of a jumping off point for a new season for us as a band. We're really proud of Hello Hurricane, and we wanted to jump off that as a starting point. But our goal also was to break the mold, musically, and try and show a whole gamut of new colors we hadn't shown. For every record we record, you know, like 80 songs... we really over-create. And you're really cognizant of which color palette you choose to put on an album. And so with this album, we were really intentional to choose a different set of colors – maybe ones that have always existed with the band, but that nobody's ever heard expressed.

You guys were inspired by John M. Perkins in the last album. Is there anybody who's inspired you on this album? Any books, figures?

 Our first single, “Dark Horses,” is heavily inspired by the homeless kids in our hometown of San Diego. We do an event every year called the Bro-Am. It's a surf contest and concert on the beach. And it benefits Stand Up For Kids, which is an organization that works with these homeless kids. They are the true dark horses. In [nearby] Seattle there's a huge culture of homelessness amongst kids on the streets. These aren't kids who chose homelessness. They've been thrust into an adult world as children – from broken homes, from being kicked out of homes, from dysfunctional parents, a variety of situations. They're the dark horses this society has written off. And you can't count them out.

“Every fight comes from the war inside.” Tell me about that line.

 I 100 percent believe that's true. You turn on the TV or newspaper, and there's not a single fight that can't be traced back to the war within. It starts with the pride, starts with distrust, and I think we all identify with that.


You travel the world; you see all different kinds of people. Is there sort of a theme or something you're seeing at this particular time in history? You get a vantage point not many people have.

 That's a cool question. One thing I'm continually struck with is that everyone has a story. I think it's so easy to write people off. I think we're judgmental by nature, but the moment you sit down with someone and hear their story, your opinion changes. Traveling the world, it's really great to hear some of these stories, and you realize that we're all on this journey. We all deal with the same things, when you really boil them down to their most fundamental elements. That's what I love about music – the pure story that can be told in a song. It kind of sneaks past all the walls we have in culture and society. When you put it in a song, you can be so honest and deliver truth, in a meaningful way.

Talking again about tensions, what tensions are you as a band struggling with right now?

 The new record really wrestles with the already-but-not-yet concept. As a believer, I think we're really cognizant of the idea that we live in a broken, hurting world, yet there's a bright and shining light of hope that's transcending everything that we do. And we're all trying to come to terms with that. I think hope is not simply looking around and saying that everything's great – that's just ridiculous. For hope to have substance, it has to acknowledge the pain. But hope is saying that's not the final story. It's not saying pain doesn't exist, but it's saying there's not a period at the end of that sentence. It's still being written.






Monday, 8 August 2011

Mahmoud Ahmadinejad exclusive interview with Euronews



Iranian President Mahmoud Ahmadinajad is facing political isolation amid a brutal struggle for power in Iran. His prospects for a third term in office are uncertain as the country is crippled by international sanctions, accused of relentless human rights abuses and threatened by the regime’s nuclear ambitions. In an exclusive interview with euronews, the president took a more moderate tone, speaking about a wide range of issues including the trial of Egypt’s former president Hosni Mubarak, and Iran’s relationship with Europe.
Jon Davies, euronews: Mr president can I start with some compelling images which we saw today on Iranian TV, on TV throughout the Middle East and throughout the world. We saw former Egyptian president Hosni Mubarak, on a stretcher in a cage being accused of corruption and mass murder. What were your thoughts when you watched those pictures?
Mahmoud Ahmadinejad: I should express regret that some leaders have such a tarnished relationship with their people that they get to this point. We should express regret for the management of some nations. In order to achieve a certain level of freedom, they have to ask for the trial of their leaders. I hope that world management would revise in a manner, that world leaders will come from among people and will work for the people along with the people. We hope that there will be no clashes or fights among the people.
en: Syria is another example. Mr President. We’re seeing an ongoing uprising there as we’ve seen in many other countries in the Middle East – an ongoing and very bloody uprising too. Do you think that President Assad is handling the situation there well?
MA: “We believe that the nations have a right to have freedom; they should be free to make their choice and to live with justice. At the same time, we believe that if others would not interfere, the nations in the Middle East would be able to solve their own problems. Many of the problems that we witness today and we are used to witnessing in the past have been due to the interference of others. If there are problems in certain places, then we should try to seek the roots in past intervention in past interferences.”
en: You say that people have the right to challenge their government and we saw it here in Iran two years ago in 2009. Do you think that what we’ve seen elsewhere in the Middle East might happen here in Iran too or are you confident that everything is stable here?
MA: “What happened in Iran is not similar to what happens in other countries. A completely free election was held in Iran. It was the most free election in the world. More than 85 per cent of the people took part in the election. 40 million people voted, all those 40 millions are Iranian nationals living together. However, attacking buildings, people and cars is forbidden in all countries. It’s natural that the police and the judiciary would get involved.”
en: Yes there was an election, you’ve said that just now. Their dissatisfaction was with the result and they wanted to express their dissatisfaction with the result and didn’t they have the right to do that and continue to do that?
MA: “Yes according to our laws there are legal ways to express objection and there are legal authorities that see to complaints in the course of elections. We see that there are demonstrations in Europe as well, and we see that the police act very harshly. Those who express their views about the basic European issues are imprisoned. For example,
the issues of the regions in the world today are all based on what happened in the Second World War. Are people allowed to write the truth and the realities of the Second World War? Or can they take any measures against the prevalent systems? I’m sure they can’t, but in Iran people express their objections through legal channels and their complaints are seen to. However some scientists are now in prison for the expressing their historical views.
en: Ok, that’s a completely different line of questioning. You asked earlier on, does the opposition in Europe ever manage to topple a government? Well, just about this time last year in the UK, the Leader of the Opposition, David Cameron, did topple the government in an election and became leader. So that’s an answer to the question that you put before. If I can move on Mr President…
MA: “They are not the opposition. The opposition were those who were beaten up in the streets of London. The students who were beaten up and had bloody faces. Who listens to their statements in Europe? In Greece, Spain, Italy, who listens to people’s statements or words? There is no one there listening to them. Accept my word.
en: I’m sorry could you clarify that. The situation in Europe is much worse or the situation in Iran in 2009 is much worse?
MA: I’m just trying to explain. That is true. In Europe, the majority of the people are being fined for issues that they had no role in. The people do not determine political policies, economic policies. People don’t have any role in the economic profit-making, but they’re paying the price for it. When they object, they are beaten up, this is really bad. The people in Europe did not break telephone boxes, they just made very simple objections. I think that we should try to find the root of the problem and solve it.
en: It’s true what you say, there are a lot of people paying the price for the faults of others in Europe and the United States. I wonder if the same could be said for the people of Iran who are paying the price in their ordinary everyday lives for the imposition of sanctions on Iran which were made last year? The trade embargo, the distant foreign relations that you have with many countries outside Iran? I’m not saying all, but many. Isn’t it the ordinary people of Iran who are paying the price here in their ordinary everyday lives?
MA” Ahmadinejad: Yes, that’s the true. The Iranian people are paying the price for the erroneous policies of European leaders.
en: Not you Mr President?
MA: “These are the erroneous policies of the European leaders. We haven’t done anything wrong. It’s been 30 years now that some European leaders have been against us. Why are they truly against us? Is it because we’re free? Because we have democracy? Because we have ousted one their European friends – the former Shah? Because we are against some of the expansionist policies of some European countries? Take a look at Afghanistan and Iraq – what were their faults? I think that the policy pursued by some of the European leaders has caused problems for some European nations, as well as other nations.
en: Domestically, what’s your position now for the second half of your second term as president? Are you in a strong position here in Iran?
MA: “We’re doing our duty. We’re using every minute to serve the people.”
en: “There’s a gap growing though, isn’t there, between yourself and the parliament? It’s being seen from outside Iran. There’s a gap growing between yourself and the Supreme Leader. Does this weaken your position?
MA: “I think in a free society such things happen. There should always be discussions between parliament and the government. Is it bad to have a free government and a free parliament? The position of the leader is also clear in Iran. There are no differences. We’re a free siociety in which everyone can express his or her views. There’s no problem there. Do you realise that the parliament voted for four new ministers today? And they were all voted for by high numbers, so there is freedom in this country.
en: Is there freedom for Mirhossein Moussavi who is under house arrest? Is there freedom for Mehdi Karoubi who’s under house arrest? Do they have the freedom to express their opposition? It’s evident that they are opposed to you, but do they have the fredom to do that from their prison cell or their guarded house?
MA: “There are prisoners in all countries. Are there no prisoners in the UK?”
en: Yes Mr President, but I’m talking about the prisons and jails in this country and the ones where Mr Moussavi and Mr Karoubi are staying.
MA: “There are prisons everywhere. There are problems with the judiciary. The juduciary in Iran is independent. I don’t have the right to interfere in what judges decide. There are certain laws according to which people can interact with the judiciary. If you’re asking my personal view, I wish and I hope that there will be not even one single prisoner in the world.
en: Including here in Iran ?
MA: “In all parts of the world. In Abu Ghraib. In all hidden the prisons in Europe.”
en: What will you do Mr President, what efforts will you make, to make sure that wish that you desire for begins here in Iran with people who are in prison simply for expressing their views, which can be done in any democratic country in the world?
MA: “Nobody is in prison just for expressing their views. Under our law people are allowed to express their views. You may stay in Iran for one week and read the newspapers. The most radical criticism against the president can be seen and read in the newspapers. There are various poeple who criticise the president, without any fear. So freedom is at its highest level in Iran. I don’t want to say that we are at the ideal point, but we are much better than many other European countries. There are some common problems which can be seen all around the world. No one can claim that they’re at the most ideal point when it comes to justice. Injustice is a general issue around the world. We’re among the best in terms of justice.
en: Are you prepared to extend the same hand of friendship in the near future to the United States – a country with whom you’ve had no proper diplomatic relationship for 30 years? Also, let’s not forget a country which is the biggest economy in the world and which could well benefit the state of Iran. Is there any chance you’re going to extend the hand of friendship there any time soon?
MA: “We believe that there should be friendly relationships at the international level and that’s the basic principle. But the Americans and their administration is confused. It doesn’t know what to do. It doesn’t follow clear policies. They stopped their relationship with us. The Americans thought that if they stopped their relationship with Iran we would be destroyed. 31 years have passed since then and we’re still sitting here.”
en: With respect Mr President, with regard to the nuclear issue, which worries not only the United States, when you say one thing and appear to do something different, it doesn’t exactly engender the conditions for anybody to become more friendly and extend that hand of peace.
MA: Why? What have we done wrong?
en: Well specifically in terms of the nuclear program, you say – and I have no reason to disbelieve you….
MA: “Is nuclear activity forbidden?”
en: I’m not even saying they’re prohibited. Let me explain. Your stated aim is that your nuclear program is for peaceful means, to produce electricity and energy, and I challenge anybody to argue with that as a peaceful goal. However, there is the belief among scientists in the West, outside Iran, that you are in fact enriching uranium to such a level – 20 per cent specifically – that there’s no connection at all with peaceful production of energy for the use of a peaceful people. So what we have is that, on one hand, you are saying something in public, that you want to use it for peaceful means. On the other hand, you appear to be doing something that only has one objective, and that is to work towards a bomb.
MA: “You ask a very good question. I just felt you were very sincere in your question. Allow me to explain. Firstly, those who claim that we are moving towards military activities are not western scientists, they are western politicians. So if you put this into the context of the western hostility towards Iran…
When we say we don’t have any intention to build a bomb, we’re honest and sincere. We believe that today if someone wants to build a bomb he’s crazy and insane. This is for two reasons. One is that those who have bombs are in graver danger than those who don’t. The bombs that exist in Germany, in Belgium, in Italy and other European countries cause a great threat to all European countries. An atomic bomb is against all humans. Second, the nuclear bomb is useless and ineffective. The Zionist regime has nuclear bombs. At the same time, did it succeed in its war against the Gazans? Did its nuclear bomb give it victory in the 33 Day War against Lebanon? Were the former Soviet Union’s nuclear bombs able to save the Soviet Union from collapse?
Nuclear bombs were used 60 years ago in order to provide an upper hand in political equations, but today they have no value. Thought has value, public opinion has value, human beings have value. We believe that in the future no one will ever be able to use nuclear bombs. We believe that’s the end of the story.”
Copyright © 2011 euronews

Tuesday, 12 April 2011

Saturday, 30 October 2010

Interviu cu Ewald Frank | Kinshasa | August 2010

Dragi fraţi şi surori în Domnul, ca şi dăţile trecute, este încă o dată un mare privilegiu pentru mine de a avea ca invitat în această emisiune, un bărbat trimis cu adevărat de Dumnezeu. Citim în Biblie că: “A venit un om trimis de Dumnezeu; numele lui era Ioan”; şi cel pe care-l trimite Dumnezeu are cu adevărat pe „Aşa vorbeşte Domnul”, şi el vesteşte cu adevărat Cuvântul lui Dumnezeu. Avem privilegiul să-l avem în această emisiune pe iubitul nostru frate Frank care a vizitat de curând ţara noastră, şi noi ştim că el poartă o însărcinare pe care Domnul, personal i-a dat-o. Nu este o sarcină uşoară; şi fizic şi duhovniceşte vorbind,  este o sarcină foarte grea.
Profităm de această ocazie şi îi vom pune câteva întrebări, pentru că noi suntem poporul care aşteaptă revenirea Domnului şi avem nevoie să primim răspunsuri direct din Cuvântul Domnului, pentru a şti cum să ne pregătim pentru ca acea zi, a revenirii Domnului, să nu ne surprindă; aşa cum spune Biblia, revenirea Domnului va fi ca a unui hoţ, noaptea. Dar noi suntem copii ai luminii şi Dumnezeu, într-un fel sau altul, ne-a trimis Cuvântul Său.
Reporter: Iubit frate Frank, vreau să vă adresez prima întrebare: Conform planului de mântuire al Dumnezeului Atotputernic, ştim, ca şi toţi adevăraţii credincioşi, că suntem la sfârşitul timpului de sfârşit şi că Domnul este pe cale să-Şi desăvârşească lucrarea Sa. În lumina Cuvântului profetic şi având în vedere ce se întâmplă în toată lumea, cum Îşi va desăvârşi Domnul lucrarea Sa, şi cum se va pregăti Mireasa Sa pentru a fi gata, având în vedere repeziciunea cu care se derulează toate lucrurile?
Fratele Frank: Înainte de toate aş vrea să vă salut pe toţi în scumpul Nume al Domnului nostru Isus Hristos. Este un mare privilegiu pentru mine de a fi astăzi aici, ca să împărtăşesc cu voi Cuvântul scump al lui Dumnezeu. [...]


Citeste interviul..  ---> Download [doc]


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